Tout ce qui n'a que hâte n'aura fait que passer deploys a sound material made up only of voices and words. A set of strata emerge and overlap in an ephemeral way. Unstable links are established between the images of the text, the scansion of the words, the plasticity of the voices and their position-movement in space. Deconstructing the meaning of a few verses, the whole hesitates between primitive onomatopoeia, organic textures, semantic collisions and poetic fragmentations. Everything that is in a hurry will have only passed then offers a more intuitive perception of a few verses by R. M. Rilke.
Tout ce qui n'a que hâte n'aura fait que passer was composed at the Arsis-thesis studio for the 2014 edition of the Makaronic sound poetry festival (Geneva) whose theme was "patatrans(e)"
