In this issue, topics range from opera writing today (P. Bartholomée, L. Carolà, B. Mernier, M. Fourgon), notation (D. Bosse), new technologies (Cl. Ledoux), composition pedagogy (M. Fourgon) to musicographic research (B. de Jaer). In addition, there are analyses of two great “classics” of the second half of the twentieth century: Karlheinz Stockhausen's Stimmung (F. Bovet) and Luciano Berio's Sequenza VII, for oboe (O. Stankiewicz).
This issue closes with a tribute to Luc Brewaeys, who recently passed away. The young composer Alithéa Ripoll, who knew him very well, paints a close and sensitive portrait of the musician.
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